Showing posts with label Javier Bardem. Show all posts
Showing posts with label Javier Bardem. Show all posts

Sunday, May 15, 2011

Modern Film Classics: Vicky Cristina Barcelona

“Lemon, the dating world is a lot like your haircut: sometimes, awkward triangles occur.” – Alec Baldwin to Tina Fey on 30 Rock
 
The good news is that both Woody Allen and Penélope Cruz currently have films at the Cannes Film Festival. The bad news is that they’re not working together. The truly terrible news is that while Allen’s presenting his much-admired Midnight in Paris, Cruz stars in the latest budget-busting, surefire-money-making, soulless Pirates of the Caribbean sequel. While the Blogger respects an Oscar-winning actor’s right to make a film solely for a paycheque as a break from continually stretching artistic boundaries the way Cruz has done in the last five years, why the Pirates franchise refuses to die like World.com is beyond his comprehension.

Allen’s comic romance Vicky Cristina Barcelona premiered to considerable acclaim at the 2008 Cannes Film Festival, became one of his most successful films, and won Cruz numerous prizes including an Academy Award for her inspired comic work. It remains one of the Blogger’s favourite films, and will form one of the first entries in his Modern Film Classics selections (look for the tag on the side for other titles).

The premise is simple: two American college students, Vicky (Rebecca Hall) and Cristina (Scarlett Johansson) spend the summer in the titular Spanish city. The sensible, risk-averse Vicky is engaged to Doug, a stable lawyer in New York who has a suburban life waiting for them to settle into in Connecticut. Cristina is artistic and impulsive, evidenced by her sudden romance with local artist Juan Antonio (Javier Bardem). The two friends are locked in a quintessential Apollonian / Dionysian contrast. Things get complicated as Vicky slept with Juan Antonio while Cristina was convalescing from food poisoning, Doug shows up to surprise Vicky on holiday, and Juan Antonio’s volatile ex-wife Marie Elena (Cruz) shows up, having tried to kill herself and needing care. In probably the strangest twist of all, Cristina, Juan Antonio and Marie Elena take each other as lovers and begin a three-way common-law marriage, and are impossibly happy. Or are they? And can it last?