Showing posts with label TSUM. Show all posts
Showing posts with label TSUM. Show all posts

Saturday, August 20, 2011

Internet Viewing: “Moscow Out”

Some of my friends have asked about my mild fascination with all things Russian, such as luxury shopping at GUM and TSUM and the Eurovision Song Contest (I make no apologies for the latter). Some friends have visited Russia and others have expressed an interest in visiting the former Soviet Union, but aren’t sure what sites to check out.

While there are a number of travel sites that will suggest tours and help you out with visa requirements, sometimes it’s daydreaming about travel in the dog days of August and seeing travelogues that hits the spot. That, and the thought of being stuck on a tour bus with loud tourists isn't to everyone's liking. 

Moscow Out host Martyn Andrews
My favourite English-language Russian travelogue is Moscow Out. It is a weekly Internet webisode series dedicated to all the pleasures in the Russian capital. Hosted by British expatriate and travel expert Martyn Andrews, the program is presented every Friday in English on the Washington DC-based Russian online news outlet Russia Today. The charismatic Andrews is clearly in love with his adopted hometown.

This is not a travelogue where they simply tell you about the major stops such as Red Square, the Bolshoi and the banyas. There is considerably more to the massive city than these central sites. The series is unique and compact, informing viewers of tourist sites that may not be picked up by the major travelogues or tours. The effect is that they encourage and inspire one to get off the tour bus and actually travel with a select guide or by yourself, rather than a massive group, to really explore the city. Andrews brings an economic approach to traveling, by presenting destinations and events with a bit of history, access to the sites, and giving you an idea of pricing. There are webisodes dedicated to such interesting sites as:

Contemporary Moscow skyline, at night
  1. Tsverskaya (formerly Gorky) Boulevard, the high-end retailer street home to free-standing boutiques for haute couture designers;
  2. Contemporary art galleries beyond the Pushkin, including the Garazh Centre for Contemporary Art, the Borscht Gallery and Winzavod, for the more adventurous and lovers of experimental art pieces; and
  3. Serybryany Bor, or “Silver Forest”, the famed forest, park and inner-city beach that is an artificial island planned around a waterway to keep cool (remember that Russian’s continental summer climate is just as unforgiving as their famously long winters);
amongst others.

The programs are becoming increasingly tourist-friendly, presenting a number of options that inspires one to stay longer than the standard one-week package tours. Moscow Out also includes a number of money-saving travel tips that come in handy in the world’s most expensive city, such as restaurant and hotel pricing, discount (donation) entry days at art galleries, brand-name clothing shopping and other delights that won’t break the bank. The producers clearly understand that the city is not just for the mega-wealthy, and that democratic pricing in the current global economy is probably a good idea. To that end, Moscow Out’s has an episode on getting by in the city on a (not literal) dime:

Monday, July 4, 2011

Babywoman: Naomi Campbell’s Recording Career

Album cover: "Babywoman"
Part of the fun in writing about pop art and high culture is acting as a cultural anthropologist. There are countless one-hit wonders in terms of music, books, films, and other media that at one point or another captured the public’s attention and may have been lost, forgotten, or just dimly remembered. What may have seemed like a gimmick or a high-concept lark may, in hindsight, prove to be highly-executed but misunderstood art, or just a bit of cheeky fun, as the Brits say.

Into the category of one-hit wonders falls supermodel Naomi Campbell’s 1994 album. Christened Babywoman, after one of her nicknames, Campbell’s album was an attempt to cash in on the British R&B-inflected dance music that was in vogue at the time. Artists popular at the time and to whom Campbell’s producers worked with and whose sound they emulated included M People, Eternal, Gabrielle and Soul II Soul.

The "Big Five", Vogue, January 1990
To understand the need of a supermodel to release an album, one had to recall the status in what became known as the era of the supermodel. From 1990 to about 1995, a small collection of the world’s top models gave rise to the term "supermodel". In particular, five were instantly immortalized in Herb Ritts’s iconic January 1990 cover of Vogue magazine. These women were the world’s top models, instantly recognizable and who were known by only their first names. They included Campbell, Cindy Crawford, Linda Evangelista, Christy Turlington and Tatjana Patitz. Known as “the Big Five”, they were joined by Kate Moss and became collectively known as “the Big Six”. Their presence immediately elevated the tone and marketability of any product, and they were in-demand by every conceivable designer on the planet. Their status, visibility and near-ubiquity had the residual effect of helping to make fashion one of the most high-profile and serious global industries. Campbell, Evangelista and Turlington in particular were such close friends and so sought-after that they became another subset of the “Big Six”: they were known as “The Trinity”.

It was in this cultural environment that the idea of the multi-hyphenate entertainer first appeared. Although it was not uncommon for actors to also direct and write films, plays, and TV at the time, it was unusual for models to attempt a career in the arts and in business at the same time that they modeled. It was with much media attention, tempered with a good deal of curiosity, that Campbell released her debut single “Love and Tears”.